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Acorda

ACORDA is born from the celebration of 21 years of Trampulim.

Directed by Paula Manata, coordinated by the playwright signed by Assis Benevenuto, the group's eighteenth assembly challenges clowns to face the complexity of SPACE TIME.

The house is the starting point. It is home, routine, security, but also confinement and vulnerability. In it four clowns organize their worlds and through simple and everyday scenes express their personal delights and terrors, without any words being said.

Brush your teeth, pee, drink coffee, put on clothes, go to work, pet the dog. Everything takes on a new tone when time is short, when we are between sleep and wakefulness, when we understand that any form of control runs through our hands.

Acorda addresses the aesthetics of terror from the perspective of the clown. Translating personal uneasiness into a collective context of everyday as frantic as it is monotonous.

The mood and subversion, so present in the clown's gaze, permeate the gestures, the scenery, the soundtrack and a nonlinear dramaturgy. There is also the use of surprise elements and objects that provide a surrealistic and absurd atmosphere.

 

Cast: Adriana Morales (Benedita Jacarandá), Chaya Vazquez (Councils), Poliana Tuchia (Socorro) and Tiago Mafra (Soap). Rafael Protzner takes the break by doing the driving assistance.

Technical Data - Group

  • Conception: Adriana Morales, Tiago Mafra, Poliana Tuchia, Chaya Vazquez and Paula Manata.
  • Direction:: Paula Manata.
  • Assistant director: Rafael Protzner
  • Dramaturgical Coordination: Assis Benevenuto
  • Dramaturgy: Adriana Morales
  • Cast:: Adriana Morales, Tiago Mafra, Poliana Tuchia and Chaya Vazquez
  • Scenario and Graphic Design: Jônatas Milagres Campos
  • Music Direction and Soundtrack: Rafael Macedo
  • Special guest in the soundtrack recording: Felipe José (Violoncelo)
  • Costume design:: Roberta Mesquita
  • Style Consulting (Costume's Conselho): Júnia Melilo
  • Lighting:: Flávia Mafra
  • Production: Isabela Leite
  • Production Assistant: Polyane Santos
  • Realization by:: Grupo Trampulim [/read]
Back

Acorda

ACORDA is born from the celebration of 21 years of Trampulim.

Directed by Paula Manata, coordinated by the playwright signed by Assis Benevenuto, the group's eighteenth assembly challenges clowns to face the complexity of SPACE TIME.

The house is the starting point. It is home, routine, security, but also confinement and vulnerability. In it four clowns organize their worlds and through simple and everyday scenes express their personal delights and terrors, without any words being said.

Brush your teeth, pee, drink coffee, put on clothes, go to work, pet the dog. Everything takes on a new tone when time is short, when we are between sleep and wakefulness, when we understand that any form of control runs through our hands.

Acorda addresses the aesthetics of terror from the perspective of the clown. Translating personal uneasiness into a collective context of everyday as frantic as it is monotonous.

The mood and subversion, so present in the clown's gaze, permeate the gestures, the scenery, the soundtrack and a nonlinear dramaturgy. There is also the use of surprise elements and objects that provide a surrealistic and absurd atmosphere.

Cast: Adriana Morales (Benedita Jacarandá), Chaya Vazquez (Councils), Poliana Tuchia (Socorro) and Tiago Mafra (Soap). Rafael Protzner takes the break by doing the driving assistance.

Technical Data - Group

  • Conception: Adriana Morales, Tiago Mafra, Poliana Tuchia, Chaya Vazquez and Paula Manata.
  • Direction:: Paula Manata.
  • Assistant director: Rafael Protzner
  • Dramaturgical Coordination: Assis Benevenuto
  • Dramaturgy: Adriana Morales
  • Cast:: Adriana Morales, Tiago Mafra, Poliana Tuchia and Chaya Vazquez
  • Scenario and Graphic Design: Jônatas Milagres Campos
  • Music Direction and Soundtrack: Rafael Macedo
  • Special guest in the soundtrack recording: Felipe José (Violoncelo)
  • Costume design:: Roberta Mesquita
  • Style Consulting (Costume's Conselho): Júnia Melilo
  • Lighting:: Flávia Mafra
  • Production: Isabela Leite
  • Production Assistant: Polyane Santos
  • Realization by:: Grupo Trampulim

Photo gallery

Testimonials

I loved it! Congratulations to all! Seeing clowns without domestication is very good. Very inspiring people. Thanks for waking us up!

Cícero Silva Belo Horizonte/MG

Guys!!

How good it is to return home with the joy and excitement of watching a great job ... congratulations to the whole crew, congratulations to the actors who were excellent at the work performed ... the show was invigorating, an energy in the scenes that overflowed catching all of us spectators .... No words to describe how beautiful and rich your work was .... Again Congratulations !!!

Renata Almeida Juiz de Fora/MG BDMG

It highlights a clown side that I have never seen before ... a clown that makes you laugh in density .. has a break to reflect on the automated movements of everyday life, like a collective schizophrenia and no one realizes that lives ... Behavioral TOCs of the human being and relationships with objects and animals, generating a lack of joy, which ends up being funny ... hence what I am calling density .. causes reflection in this sense, it is very funny to realize this on scene with clowns, enhances every clown in your universe and you are very amazing ...

I found it awesome !!!

Raquel Coutinho Belo Horizonte/MG

I woke up. I lay for a while. The still north head waking up with me. I kept trying to pick up every fragment that still pulsed since I left that whole catharsis yesterday. What I saw yesterday were four artists completely delivered, completely involved, alive, completely naked. And if stripping isn't easy, I know. And it takes a lot of courage to be able to peel off all these layers and show yourself whole. And what I saw yesterday were four completely naked artists on the scene. And it was so beautiful. You are so strong and so connected to each other. I saw you having fun. I saw the boner coming through all the holes in the body. Who are those clowns? I? Maybe because I found myself in each of them. At this frantic pace in which the tick of time is what drives history. Everything I do is for yesterday. Whenever I leave I'm late. I snore. I sleep badly. I always feel with a neck wake up. And it hurts. It hurts. I go cold without cover. I already peed in my pants. I also have my fears, my traumas, my strengths. I also want to succeed. I am also a failure several times. I laugh at myself. Cry. I sleep WAKE UP. Anyway, what I think I'm trying to say is that it was great to see you guys! But the thing is: I LOVE YOU! You are awesome! And I'm proud to be able to live in this world [in this city] at the same time as you!

Bárbara Amaral Belo Horizonte/MG

Photo gallery

Testimonials

I loved it! Congratulations to all! Seeing clowns without domestication is very good. Very inspiring people. Thanks for waking us up!

Cícero Silva Belo Horizonte/MG

Guys!!

How good it is to return home with the joy and excitement of watching a great job ... congratulations to the whole crew, congratulations to the actors who were excellent at the work performed ... the show was invigorating, an energy in the scenes that overflowed catching all of us spectators .... No words to describe how beautiful and rich your work was .... Again Congratulations !!!

Renata Almeida Juiz de Fora/MG BDMG

It highlights a clown side that I have never seen before ... a clown that makes you laugh in density .. has a break to reflect on the automated movements of everyday life, like a collective schizophrenia and no one realizes that lives ... Behavioral TOCs of the human being and relationships with objects and animals, generating a lack of joy, which ends up being funny ... hence what I am calling density .. causes reflection in this sense, it is very funny to realize this on scene with clowns, enhances every clown in your universe and you are very amazing ...

I found it awesome !!!

Raquel Coutinho Belo Horizonte/MG

I woke up. I lay for a while. The still north head waking up with me. I kept trying to pick up every fragment that still pulsed since I left that whole catharsis yesterday. What I saw yesterday were four artists completely delivered, completely involved, alive, completely naked. And if stripping isn't easy, I know. And it takes a lot of courage to be able to peel off all these layers and show yourself whole. And what I saw yesterday were four completely naked artists on the scene. And it was so beautiful. You are so strong and so connected to each other. I saw you having fun. I saw the boner coming through all the holes in the body. Who are those clowns? I? Maybe because I found myself in each of them. At this frantic pace in which the tick of time is what drives history. Everything I do is for yesterday. Whenever I leave I'm late. I snore. I sleep badly. I always feel with a neck wake up. And it hurts. It hurts. I go cold without cover. I already peed in my pants. I also have my fears, my traumas, my strengths. I also want to succeed. I am also a failure several times. I laugh at myself. Cry. I sleep WAKE UP. Anyway, what I think I'm trying to say is that it was great to see you guys! But the thing is: I LOVE YOU! You are awesome! And I'm proud to be able to live in this world [in this city] at the same time as you!

Bárbara Amaral Belo Horizonte/MG
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