Technical Data - Group

Tiago Mafra and Adriana Morales are clowns but they are not fools!

They are the current directors of the Trampulim Group.

They act, direct, plan, produce, manage, coordinate and manage all Group projects.

The duo heads but does everything alone ... believes that unity is strength! That's why they have always cultivated partnerships with those that last a lifetime.

Poliana Tuchia, Chaya Vazquez, and Rafael Protzner they are more than the artistic partners of the Group. They are family, clowns, musicians, improvisers, directors, multi artists who, in and out, have always inspired the Group's creative energy flow with joy, above all, their personal experiences, baggage and nonsense in all their forms!

In addition to the stage partners, Trampulim has a heavy team working behind the scenes. They have been key partners of the Group for many years, also part of the Trampulim family, and always work flawlessly, ensuring the exquisite execution of each project.

With you: Flávia Mafra, Polyane Santos, Maria Carolina, Isabela Leite, Marcos Nascimento, Giordano Máximo and Márcio Júnior.

Who we are?

Technical Data - Group

Tiago Mafra and Adriana Morales are clowns but they are not fools!

They are the current directors of the Trampulim Group.

They act, direct, plan, produce, manage, coordinate and manage all Group projects.

The duo heads but does everything alone ... believes that unity is strength! That's why they have always cultivated partnerships with those that last a lifetime.

Poliana Tuchia, Chaya Vazquez, and Rafael Protzner they are more than the artistic partners of the Group. They are family, clowns, musicians, improvisers, directors, multi artists who, in and out, have always inspired the Group's creative energy flow with joy, above all, their personal experiences, baggage and nonsense in all their forms!

In addition to the stage partners, Trampulim has a heavy team working behind the scenes. They have been key partners of the Group for many years, also part of the Trampulim family, and always work flawlessly, ensuring the exquisite execution of each project.

With you: Flávia Mafra, Polyane Santos, Maria Carolina, Isabela Leite, Marcos Nascimento, Giordano Máximo and Márcio Júnior.

Who we are?

Adriana Morales | Direction

[Benedita Jacarandá]

At Trampulim, she is the lush, mirestróika and mighty Benedita Jacaranda.

Behind the scenes, Adriana Morales is multitasking: mother, director, clown, musician, clown art researcher, executive producer,
text editor, and whatever else is needed. 
Since embracing the Trampulim group in 1998, replacing an actress from the
Group in one show, made sure they were doing the right thing, in the right place and at the right time! And so it feels to this day ...

foto_adriana

Adriana Morales | Direction

[Benedita Jacarandá]

At Trampulim, she is the lush, mirestróika and mighty Benedita Jacaranda.

Behind the scenes, Adriana Morales is multitasking: mother, director, clown, musician, clown art researcher, executive producer, text editor, and whatever else is needed.

Since embracing the Trampulim group in 1998, replacing a Group actress in a show, she has made sure she was doing the right thing at the right place at the right time! And so it feels to this day ...

Tiago Mafra | Direction

[Sabonete]

In addition to embodying the slippery, insightful and charismatic Soap in Trampulin shows, Tiago Mafra is a manager
and artistic director of the group. Reinforcing the versatility of this artistic core, he still extrapolates the clown's place with his
musician, director, co-creator, performer and producer skills.

foto_tiago

Tiago Mafra | Direction

[Sabonete]

In addition to embodying the slippery, insightful and charismatic Soap in Trampulim shows, Tiago Mafra is the group's manager and artistic director. Reinforcing the versatility of this artistic core, he still extrapolates the clown's place with his musician, director, co-creator, performer and producer skills.

Rafael Protzner

[Alfinete]

Actor, director and theatrical researcher, on the stages of Trampulim Rafael Protzner gives life to the pointed clown Alfinete.
Her career as an artist is marked by two axes of scenic investigation: improvisation and masking,
including the language of clowning.

foto_rafael

Rafael Protzner

[Alfinete]

Actor, director and theatrical researcher, on the stages of Trampulim Rafael Protzner gives life to the pointed clown Alfinete. Her career as an artist is marked by two axes of scenic investigation: improvisation and masking, including the language of clowning.

Polyane Santos

She began her career at the Trampulim Group in 2016 as an intern. He went through all areas of the group (financial, administrative,
production, communication, festivals, projects, archives ...) so competently that of course the clowns never let her go!
Today is the right and left arm in the office, and where else you need it!

foto_POLYANE

Polyane Santos

She began her career at the Trampulim Group in 2016 as an intern. He went through all areas of the group (financial, administrative,
production, communication, festivals, projects, archives ...) so competently that of course the clowns never let her go!
Today is the right and left arm in the office, and where else you need it!

Márcio Júnior and Giordano Máximo

Better known as Marcinho and Cisco, respectively, arrived at Trampulim giving their pulim around 2003.

Since then carry Trampulim "back"!

They load and unload trucks, sets, light, sound, assemble and dismantle shows, operate tracks, and even break down,
Capoeiras are the ones that guarantee our safety, mandinga and a lot of nonsense behind the scenes.
They are those partners "stick to all work" and for life!

foto_MARCINHO_E_CISCO

Márcio Júnior and Giordano Máximo

Better known as Marcinho and Cisco, respectively, arrived at Trampulim giving their pulim around 2003.

Since then carry Trampulim "back"!

They load and unload trucks, scenarios, light, sound, assemble and dismantle shows, operate trails, and, even breaking, it is the Capoeiras that guarantee our safety, mandinga and a lot of nonsense behind the scenes.

They are those partners "stick to all work" and for life!

Isabela Leite

Through the sound of drums, Isabela Leite begins an approach with the Trampulim Group in mid-2010.
But it is with his strength and competence in the area of cultural production that he has established his history in the Group since 2011.

In addition to producing various shows and projects of the Group, also lavishes resourcefulness as an illuminator and guest artist,
already winning even the best makeup award, with the "Batata Doce" clown, at the Piauí National Theater Festival, in 2015.

foto_ISABELA

Isabela Leite

Through the sound of drums, Isabela Leite begins an approach with the Trampulim Group in mid-2010. But it is with her strength and competence in the area of cultural production that she has established her history in the Group since 2011.

In addition to producing various shows and projects of the Group, he also lavishes resourcefulness as an illuminator and guest artist, winning even the best makeup award with the “Batata Doce” clown at the Piauí National Theater Festival in 2015.

Marcos Nascimento

Marquinhos or Moichoi, is our stage director and clown for 15 years! Take care of all the technical details of the stage,
coordinate technical staff, check material lists, tune and repair instruments, and so on ...

Besides our cenotechnician, when he takes a djembê, he stars in the scene, and when he puts a clown nose.

Result: Flana between scene and technique with mastery like no one else.

foto_MARCOS

Marcos Nascimento

Marquinhos or Moichoi, is our stage director and clown for 15 years! Take care of all the technical details of the stage, coordinate the technical team, check material list, tune and repair instruments, and so on ...

Besides our cenotechnician, when he takes a djembê, he stars in the scene, and when he puts a clown nose.

Result: Flana between scene and technique with mastery like no one else.

Flávia Mafra

She arrived at Trampulim around 2000. She has been a producer, illuminator, photographer, costume designer, chambermaid, set designer,
and today is all that; as well as mother, daughter, aunt, sister and our financial manager.  

Chega no Trampulim para ocupar seu espaço na tradição das famílias circenses, mas como protagonistas dessa vez!
She was born like this: multi, plus, poly, pluri, mega!

And so we go together for a lifetime, with trust, partnership and light!

FOTO_FLAVIA

Flávia Mafra

She arrived at Trampulim around the year 2000. She has been a producer, illuminator, photographer, costume designer, chambermaid, set designer, and today is all that; as well as mother, daughter, aunt, sister and our financial manager.

Arrive at Trampulim to take your place in the tradition of circus families, but as protagonists this time! She was born like this: multi, plus, poly, pluri, mega!

And so we go together for a lifetime, with trust, partnership and light!

Maria Carolina

Maria Carolina Campos arrived at Trampulim in 2007, and with her look "more straight" than the crooked look of clowns,
mergulhou de cabeça nos projetos culturais do Grupo, de uma maneira tão especial que acabou focando sua vida profissional
in the preparation, consulting, management and monitoring of projects of groups, artists and events from Minas Gerais, São Paulo and
Rio de Janeiro in various incentive laws and artistic languages.

maria_MOBILE

Maria Carolina

Maria Carolina Campos arrived at Trampulim in 2007, and with her “right” look rather than the crooked eyes of the clowns, she plunged headlong into the Group's cultural projects in such a special way that she focused her professional life on drafting, management consulting and monitoring projects of groups, artists and events from Minas Gerais, São Paulo and Rio de Janeiro in the most diverse incentive laws and artistic languages.

Adriana Morales holds a bachelor's degree in Journalism from PUC Minas, and is currently a member and director of the Trampulim Group.

Iniciou-se nas artes em 1998 na Spasso – Escola Popular de Circo onde estudou as técnicas circenses até 2003, se especializando na linguagem do Palhaço sob orientação da atriz e historiadora Paula Manata. Atua em todos os espetáculos do Grupo Trampulim, desde 1998, somando 18 montagens em seu currículo,  e circulando por mais de 50 cidades mineiras e Festivais pelo Brasil e exterior, além de conceber e ministrar, junto com Tiago Mafra, a oficina “O jogo do Palhaço”, desde 2003. Em 2005, em sua primeira turnê internacional, conheceu a canadense Sue Morrison e sua metodologia “O Clown através da máscara”, que influenciou profundamente sua pesquisa sobre o palhaço. Continua aprofundando seus estudos fazendo oficinas e workshops com grandes nomes da palhaçaria como Luís Carlos Vasconcelos (PB), Denise Stoklos (PR), Sue Morrison (CAN), Fernando Escrich (BR), Ângela de Castro (LON), Dani Lima (RJ), Grupo Moitará (RJ), Johnny Melville (Escócia), Hilary Chaplim (EUA), Avner (EUA), Leris Colombaioni (ITA) Erica Stopell (SP), Grupo Lume de Teatro (Campinas), Ézio Magalhães (Campinas), Adelvane Néia (Campinas), Lu Lopes (SP), Jungle Edwards (E.U.A), Tortel Poltrona (Espanha), Parlapatôes, Patifes e Paspalhões (São Paulo), Palhaço Tomate (ARG), Beatrice Picon e Philippe Goudard (França).

In the area of production and cultural management participated in the conception and overall coordination of the two editions of the Festival ÍMPETO-World Invasion of Clowns and all others - held in Belo Horizonte, with presentations, workshops, cabarets and chats about the craft of clown .

As Director of the Trampulim Group she has won several awards throughout her career, in addition to directing shows and special projects by other groups or institutions such as SESI, FIEMG, Secretariat of the Environment, Farroupilha Group, CIA Circumstance, BH Clowns Collective, Calcinha de Clown, Holy Profane, among others.

As a musician, he began his studies in 2002, at the Foundation of Artistic Education of Belo Horizonte, until 2009. He studied singing with Neide Ziviane, musicalization with Rafael Macedo, as well as workshops on body percussion, African music, maracatu, congado, coconut with great masters such as Master Walter de França, Mauricio Tizumba, Lenis Rino, Barbatuques, Santiago Vázquez, Alejandro Oliva, Walter Thompson, among others.

Tiago Mafra é formado em circo pela Spasso Escola Popular de Circo com especialização em palhaço sob a orientação da atriz e historiadora Paula Manata. Integra o Grupo Trampulim desde 1998, onde também é gestor e diretor, realizando vários espetáculos, números, oficinas, gerindo espaços e realizando duas edições do festival Ímpeto – Invasão Mundial de Palhaços e Todos os Outros – que aconteceu em Belo Horizonte oferecendo espetáculos, formação e espaço para a experimentação. Ao lado de Adriana Morales, coordena o núcleo de pesquisa “O Jogo do Palhaço” que investiga, experimenta e transmite abordagens da linguagem do palhaço desde 2001.

With the Trampulim Group, he performed several assemblies and an extensive circulation in Minas Gerais, Brazil and abroad including a tour in Canada where he studied with Sue Morrison, a Canadian master who has a great influence on the work of the Group. His career also includes studies with other masters such as Luis Carlos Vasconcelos (PB), Sue Morrison (CAN), Rodrigo Robleño (MG), Gabriel Guimard (SP), Fernando Escrich (BR), Angela de Castro (LON), Moitará Group ( RJ), Avner Eisemberg (USA), Leris Colombaioni (ITA), Leo Bassi (ES), Lume Theater Group (Campinas), Ézio Magalhães (Campinas), Adelvane Néia (Campinas), Lu Lopes (SP), Jungle Edwards ( USA), Tortel Poltrona (Spain), Parlapatôes, Rascals and Paspalhões (Sao Paulo), Walter Thompson (USA), Santiago Vazquez (ARG), Clown Tomato (ARG), Beatrice Picon and Philippe Goudard (France).

As a musician, he sought training in the West African culture of Minas Gerais, Pernambuco, studying with various masters such as Walter de France, Mauricio Tizumba, Lenis Rino, Barbatuques, Santiago Vazquez, Alejandro Oliva, Walter Thompson, among others. Still in classical music studied for seven years at the Foundation of Artistic Education in Belo Horizonte. As a percussionist, he promoted the renewal of Belo Horizonte's street carnival, integrating, since 2010, blocks such as Praia da Estação, Sons de Tcha Tcha, Alcova Libertina, Basil, Tetê Santa, Mamá na Vaca, Peixoto and others. She was a member of the musical improvisation group Frito na Hora, the percussive band Elefante Groove, the Maracatu Nação Estrela Brilhante da Recife and the maracatu drum Thunder of Minas.

Awards:

[2009] – USIMINAS SIMPARC na categoria melhor ator infantil.

Nomination for the SESC SATED Award in the same category, with the show A Surprise for Benedita.


• Works as artistic director:

[2013] – Projeto “EXPEDIÇÃO RIO DAS VELHAS 2013” (Secretaria Estadual do Meio Ambiente MG);

[2017] – Espetáculo “Novas Experiências” – Circo SESI

[2017/2018] – Espetáculo “Tamanho Família” (projeto Circo da Gente – Ouro Preto/MG)

Rafael integra a equipe artística do Trampulim desde 2008. Iniciou sua carreira em 2005 através dos cursos livres da Cia Luna Lunera. Se formou como ator, no Teatro Universitário/UFMG em 2009, formação aperfeiçoada com a realização de inúmeras pesquisas com importantes nomes do cenário teatral contemporâneo como: Sue Morrison, Keith Johnstone, I Made Djimat, Philippe Gaulier, Leris Colombaioni, entre outros. É licenciando do curso de teatro da Escola de Belas Artes da UFMG.

He has participated in several national and international theater shows, performing at festivals such as the Rotating Stage, Impromitotl Festival (Mexico), Angels of the Picadero, FIMPRO, World Circus Festival, FIT-BH, Bogotá Iberoamerican Theater (Colombia), etc. Also was part of the groups Frito Na Hora and Maria Cutia and acted as a guest in shows of Uma Cia. (BH), Cia. Quintal (SP) and Night Improviso (SP).

Paralelo ao Trampulim, Rafael é criador do NUPA, um projeto de oficinas temáticas teatrais; Integrante do grupo de palhaços de hospital Instituto HaHaHa. É também Professor de teatro no Projeto Palavra Viva e Diretor Cênico do grupo musical Orquesta Atípica de Lhamas. Atualmente se dedica ao “Patuscada”, seu espetáculo solo de improvisação com máscaras balinesas.

Graduated in Event Management from Estácio University Center - BH, Polyane Santos began her career at Trampulim Group in 2016 as an intern, working in various areas of the group, such as: financial, administrative, communication. Hired in 2017, today acts as executive producer and administrative assistant of the group.

During his academic training, he produced several cultural and technical scientific events, such as Estácio Event Knowledge Week, Areté Fair - Brazilian Portraits and Estácio Seminar. Coordinated the logistics of the III Estácio Research and Extension Seminar, a technical-scientific event created to promote the exchange of experiences and research in various areas of knowledge.

Worked on organizing the 26th National Handicraft Fair annual event for 170,000 participants at the Expominas Convention Center. Since then, he has improved his knowledge of event production through lectures, courses and technical visits.

Isabela Leite is a percussionist, producer, cultural manager and joker of Brazilian popular culture. Since 2009 he has been dedicated to the study of Afro-Brazilian and African percussion, having studied with leading percussionists of the Brazilian and international music scene such as Santiago Vazquez and Alejandro Oliva (ARG), Walter Thompson (USA), Cia Yoruba Andabo and Mestre Santiago Reyther ( CUBA), the Minas Gerais musicians Matheus Bahiense, Rafael Leite and Daniela Ramos, the Maracatu Masters of Baque Virado Master Walter França, Mestre Gilmar and Mestre Afonso and the African Masters Bolokada Conde, Babara Bangoura, Petit Adama Diarra and Sekouba Oularé.

Throughout her artistic career Isabela has been a percussionist for groups that work with the language of thudding maracatu such as Thunder of Mines, Tribe Tambores de Alma and Baque de Mina and studied musical improvisation and acted as instrumentalist and conductor of the improvised orchestra Frito Just in time. Isabela is currently part of the musical direction team of the Carnival Blocks Block of Alcova Libertina, Barro Preto and I Wanna Love You where she also acts as conductor and organizer of the drums.

Isabela é pesquisadora e percussionista dos grupos musicais Pequena Morte, Pata de Leão, Domilindró e Bateria Imperatriz Mineira. É também idealizadora e gestora do N’África Cultura iniciativa que, desde 2014, promove atividades de fomento da Cultura Mandén – África do Oeste – em Belo Horizonte. Neste trabalho Isabela atua também como professora de dança tendo estudado com alguns importantes mestres da dança como Youssouf Koumbassa, Moustapha Bangoura, Seny Bangoura, Fara Tolno, Djanko Camara, Mariama Camara, Naato Camara e Assetou Diabaté.

Flávia graduated in engraving from the UFMG School of Fine Arts in 1998.

She is a light designer, set designer, photographer, manager and cultural producer.

Dentre seus principais projetos estão a produção do Grupo Trampulim, onde começou sua carreira de produtora, em 2001; produção do programa de rádio e tv “Música Independente”, de 2006 a 2008; a produção e gestão do projeto TIM Música nas Escolas em BH, de 2007 a 2012; a produção, gestão, iluminação e criação de vídeos da banda Graveola, entre 2008 e 2013; produção do projeto “LEV – residências artísticas”, 2015; produção do projeto “Territórios de Invenção – residências artísticas”, da Fundação de Educação Artística, 2016 e 2018; produção da turnê “Titane canta Elomar”, 2018.

Como iluminadora criou a luz e cenários de importantes shows como o “Soltar os Cavalos”, de Júlia Branco, em parceria com Sara Lana, “O Cinema que o Sol não Apaga” de Thiago Amud, em parceria com Leonora Weissmann, “Tão Tá” de Luiza Brina, em parceria com Sara Lana e para o projeto Meio de Campo, que recebeu como convidados Tom Zé, Juliana Perdigão, Renato Teixeira, Leopoldina, Egberto Gismont, Alexandre Andrés, Rafael Macedo e Hermeto Pascoal. Criou também a luz para espetáculos de Xangai, Elomar, Kristoff Silva, José Luiz Braga (do Graveola), Juarez Moreira, Renato Borghetti e Yamandu Costa.

Nas artes cênicas criou a luz para os espetáculos “Acorda”, do Grupo Trampulim; “Asararas” de Magroove Tentactile e This is Not; “Worp” de Dorothé Depeauw e Matthias Koole e “Brasa”, em parceria com Joana Bentes, para a Plataforma Doras.

She graduated in Law from the Minas Gerais Law School - PUC MG, was a student of the Think and Act on Culture courses at the Cultural Diversity Observatory, Preparation and Formatting of UNA Projects and Marketing, Management and Sports Law offered by the Getúlio Vargas Foundation - FGV , FIFA and FIES. She was a liberal professional, Project Manager at the Superintendency of Cultural and Sports Business of Banco Bonsucesso, and later at Vivas Cultura e Esporte, having also absorbed the fundraising area with individuals. She is currently a partner of Mercê, Cultural Solutions in Belo Horizonte.

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